Until now research mostly treated Chinese-Korean Literature on Manchuria as a literature in exile. This way don`t reflect actuality of Manchuria under the Japanese Colonial Period. Because, in this paper I divided the Chinese-Korean Poetry under the Japanese Colonial Period into several classes with the viewpoint which is a encapsulated the history of their emigration and domiciliation. First of all, it starts with a literature in exile before 1920s. The most works are foregrounding an anti-Japanese combative consciousness and the hope to a national right recovery. Kim Tack-young and Shin Jung and Shin Chae-ho are typical writer of this age. Even in after, literature that reject the foreign power like this placed a important quality of it. The Chinese-Korean poetry until 1920s is not an particular different point from with interior poems as such poets in charge or to selected form. Only, in contents, it frequently appears strongly foregrounds anti-Japanese combative consciousness of interior literature. The poems after 1930s is individually show racial consciousness of different kind from poems of KAPF or nationalism at home. This is natural that the Manchuria when is because is a base of anti-Japanese independence movement. It was started from 1930s that makes exile`s life as emigrant to Manchuria with subject matter of the Chinese-Korean Poetry. This time when that it is a widely and systematic range executed plan as emigration a national policy. It becomes literary encapsulated with the features which is various aspect with vague expectation and hope about Manchuria, homesick, maladjustment in alien and deploring actuality trouble. An aspect of emigrated Korean to endured any kind of trials appears in diverse works on Manchuria. The Chinese-Korean literature in domiciliate step on Manchuria described settlement` conflict with Chinese landowner and their poverty and suffering because of the Japanese colony rule in China likewise in their homeland. The representative writers are Kim Jo-kyu, Lee Uk, etc. The poems from 1930 to 1940`s described various lives of settlers : an anti-Japanese struggle, a will of settle, and escapism. The representative writers are Song Chul-ly, Chun Chun-song, Shim Yeon-su and so on. It grasps the Chinese-Korean poetry under the Japanese Colonial Period when point of view with not a literature in exile but literature of the emigration and domiciliation. Many poets who had various works in this time was not referred almost from the history of literature on and after the middle of 1930s. Reasonable research of its works is urgent for just corroboration of Korean Poetry. Their works are plentifully putting in the features of immigration and fixation. There is a necessity which will judge their poetry straightly. The poetry of the glorious restoration is most rapture of regain of country and ovation of land reform. This works becomes the strong and steady base of the Chinese-Korean Poetry.